Why I wrote “Sia”?


Why I wrote, Sia? (A Writer’s Perspective)

sia-prionka-ray-leadstart-publishing-buy-onlineI began writing Sia in 2009 and there were two reasons for it. One, I had a story to tell, a story that though imagined, was inspired by real people, real places and real emotions. Two, because my dad belonged to Benaras and I thought he might like a story based on the place. No one knew that I was writing this story. It was my little secret. I wrote a bit every day, whenever I would get time after work and whenever I was done with the other responsibilities.

Incidentally, Sia’s story began a bit differently to what is in the book now. The current version came about when somewhere along the way, the characters of the story took over, and I ended up, swayed and influenced by them. I laughed and cried while writing. It was almost as if those characters showed me a glimpse of their lives, and I remained a mere observer. I enjoyed their story.

As a creator though, I was aware that I was not just a narrator of this fiction, but that I had in my capacity, a chance to observe the bigger picture, one, that could reflect the social norms, the fair, the unfair, the patriarchy and the lethargy to change. As my story progressed, I was also aware that the narrative and the social commentary would inevitably cross path. I was glad of it.

Unfortunately, when I was almost at the end of this story, my father died. It took me two full years to come back to the story and finish it. Eventually, when it got published, I dedicated it to him. I was sure he would be happy to know that I had written him a story… wherever he might be.

What are the readers saying? (Readers’ Perspective)

“This book deserves to be made into a movie.” (Goodreads)

“I didn’t know a book like this will affect me so much” (Goodreads)

“There was a good mention about the current problems faced by the 20s and 30s generation with a hint of raunchy humour.” (Reviewer, Between the Lines)

“My only question to the author remains that why is it that the doctor is always a ‘he’ in a fiction book? If Mrs Ray’s next book has a ‘her’ as the primary doctor I would consider it to be a revolutionary change.” (Amazon)

“The book is very detail oriented, beautifully describing each place and the setting of characters throughout the book.”

“Debutant author, Prionka talks about many issues plaguing the society – generation gap, infidelity in marriage, not having a son in the family, etc.” (Reviewer)

“I love the feel good factor it leaves you with.”

“There’s a Munni in all our lives. I could relate to her.”

Sia, New Edition

Thanks to all you readers, my book, Sia, is in its second edition now. I remain grateful and humbled. And as far as the story is concerned, it’s still for you, dad!

(Sia is available on AmazonKindleKoboNook etc.)

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Stories and Us!


Stories and Us!

stories

Our world is made of stories and we are defined by these stories that we tell ourselves. Who then would know if the stories became reality or reality inspired these stories! Exploring the art of storytelling and the unique stories in us all is the The Singapore International Film Festival and nurturing this storytelling in the young students is the National Story Challenge.

SGIFF

Asian premiere of Interchange at the 27th SGIFF. (Photo credit Bonnie Yap, SGIFF)

Asian premiere of Interchange at the 27th SGIFF. (Photo credit Bonnie Yap, 27th SGIFF)

Championing the voice of Asian Cinema, the 27th Singapore International Film Festival (SGIFF) rolled out the red carpet for its gala opening yesterday at Marina Bay Sands. Celebrated Malaysian auteur, Dain Iskandar Said opened the 12-day celebration of independent cinema with the Asian premiere of his fantasy noir thriller Interchange. Present with him were award-winning Indonesian TV personality and actor, Nicholas Saputra, husband-wife duo Iedil Putra and Prisia Nasution. Other noted guests were last year’s SGIFF Cinema Legend Award recipient, actress, Michelle Yeoh, Korean director Lee Sang-woo, acclaimed Southeast Asian filmmakers Eric Khoo, Joko Anwar, Brillante Mendoza, and Vietnamese-born director Tran Anh Hung, who will be receiving the IWC Filmmaker Award – the first to be presented in Singapore – on 26 November 2016.

Michelle Yeoh and Mike Miluan (Credits: Bonnie Yap, 27th SGIFF)

Michelle Yeoh and Mike Miluan (Credits: Bonnie Yap, 27th SGIFF)

SGIFF Executive Director, Yuni Hadi, said, “It is heartening to see the gathering of so many passionate film lovers at the opening of SGIFF. While the industry witnesses the transformation of cinema reflected in how we watch and make films today, the timeless stories told through film will always continue to engage and captivate us.” Over the next two weeks, SGIFF will present 161 films from 52 countries, and a varied slate of panel discussions and masterclasses with renowned filmmakers and industry experts.

I am excited to catch some of the movies. Having interviewed Indonesian Film maker, Nia Dinata recently, I am looking forward to watching her movie, Three Sassy Sisters!

National Story Challenge 2017

Story Challenge

Story Challenge

Meanwhile, to nurture the stories while young, is the The National Story Challenge Tournament. The challenge is an original improvisational storytelling competition created by The Theatre Practice, and is open to students in all primary and secondary schools in Singapore.  Registration starts from 19th December! Details here

And last, but not the least, here’s my contribution to the stories: reading stories to the children at the community centre, where I am part of the committee that organises programmes for youth and children.

Storytelling at the community centre (Source: Prionka Ray)

Storytelling at the community centre (Source: Prionka Ray)

The wise said, that we become the stories we tell. If that be true, then let the voices be heard and let the stories define us again and again and again…

Reading now: Sea of Poppies by Amitav Ghosh